May I Have Your Autograph?

Recently I saw an online article that had to do with instructing new authors on the ins and outs of the act of signing autographs.

My first reaction was to chuckle.

You need someone to teach you how to sign your name?

But then I stopped. Perhaps this author was onto something. A couple of incidents came to mind, the first of which had to do with my own autograph.

Atrocious Handwriting

In my earliest days of writing – when I was publishing magazine articles only – I began to be concerned about my handwriting. I was convinced that one day I would be an author of books. (That was books as in the plural sense!) But my handwriting was, in my opinion, atrocious. It was stilted, stiff, and unnatural. It had no life to it.

So I began to practice signing my name. And I practiced. And practiced. And practiced. My desire was to achieve a flowing effect – not stilted.

Today, many years later, I had almost forgotten that concern. But at that moment in time it was a big deal to me.

Be A Novelist

Newbie Author

Be A NovelistThe second incident happened three or four years ago. I had been content editor and proofreader for a client who had written his very first book. Once he had the print edition of his book in his hand and was fanning through it, he asked me, “How do you sign your autograph? Whole name? First and last name only? And where? I don’t know how to do this. It’s all new to me.”

Something that one might think goes without saying, needed an answer. Needed an explanation.

I took the time to explain how I did it and told him to relax. That there were no right or wrong ways to sign your autograph.

Appreciate the Article

I mentally apologized to the author of the article for laughing, and then took the time to read it and to appreciate the information presented there.

The only element that was missing in the informative article would have been a note to those of us who are left handed. Do you Be A Novelistknow how difficult it is to wrestle with a newly published book to hold it open with your left hand, while writing with your left hand. Argh! Not easy. (Those who are not of our sort would never even think of it.)

Be that as it may, I still love signing autographs. And I guess I always will. Such a fun part of being an author.

And kudos to the author of this article. You can catch it right here.

Oh and by the way, in the last paragraph of the article it does allude to a wrong way to sign autographs. Sorta. Kinda. You can read it to see what I mean.

PS: You will notice in all of the photos in the article, not one of those doing the signing is left-handed. More’s the pity.

 

Be A Novelist

Be A Novelist

Be A NovelistThe Norma Jean Lutz Classic Collection now has three 3 available titles:

Flower in the Hills, Tiger Beetle at Kendallwood, and Rockin’ Into Romance

These clean teen reads, while authored in the past, offer timeless story lines that teens love.

 

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When the Novelist’s Imagination Kicks In

Plots GaloreBe A Novelist

I have a book on my library shelf entitled, 20 Master Plots (And How to Build Them). The plot themes (or ideas) range from escape, to adventure, to rivalry, to transformation, to forbidden love, and on and on. You get the picture.

Another similar book, which I have read, but is not in my library, is Georges Polti’s 36 Dramatic Situations.

Now to these we can add in lists of genres such as romance, western, young adult, fantasy, and on and on (again on and on!). Infinite varieties of plot and plot ideas.

What’s the point here? The point is that there is a foundation, or a skeleton, of the novel that you are planning to write.

One Plot; Many Stories; All Dull

If a plot outline were given to a dozen novelists and if those writers were to write novels from those outlines – you’re getting ahead of me – none of them would be the same. (You knew what I was going to say, right?)

Be A NovelistActually, this was done in years past when an editor passed out a plot to several writers and asked each to write a short story from that one plot. This editor then went on to publish them in an anthology. While some of the stories were okay, most were quite dull. Why? What was missing? Passion. Passion was the missing ingredient.

Passion Required

Whatever its potential, a plot has no value unless it appeals to you, personally. It is absolutely the writer’s deep passion (or caring) for the story, for the characters, even perhaps for the setting, that breathes vibrant life into a novel.

This then is where the novelist’s imagination comes into play.

The Simple Accomplishment

Plots are public domain. You enjoy one every time you read a novel, watch a movie, or watch a television drama. The best Be A Novelistapproach is to use these plot ideas, but try not to abuse them. After all, artists of all types take their first baby steps by studying the masters, whether it’s painters, dancers, entertainers or what have you.

The plot then is a fairly simple accomplishment. The use of your imagination comes in the next stage – that stage following the determination of how the plot will be structured. This stage is when you choose how to arrange your viewpoint, your time scheme, your characters; which features will stand out and remain in the reader’s mind after the last page has been read.

It’s your imagination that constructs the story line, and in turn controls the story line. Can a writer deliberately harness that imagination? Imagination is certainly a faculty that all writers possess, but can it be invoked?

Plot Problem

After the plot structure is determined (or fairly well determined), and the story is moving forward, what if all of a sudden it seems flat and uninspired, and clomps along rather heavy-footed?

It is now time for a critical assessment. Back up and reassess. Where was your imagination taking you? And why?

Often the fault can be traced to one particular ingredient, one episode, one character who is not pulling his/her weight. Perhaps your imagination went to sleep along the way, and you allowed everything to down-shift. This is oftentimes where discouragement sets in and the entire novel is pushed aside.

Be A NovelistNo Stopping Allowed

Don’t do it. Don’t stop. No matter what, don’t even think about stopping. It’s not the entire novel that’s at fault. Ask yourself:

  • Can the problem character be replaced or omitted?
  • Can the weak incident be replaced or omitted?

Experiment

Try different approaches. Let your imagination play with different solutions to the problems your characters face.

While you will not stop, you can slow down. In this kind of revision, a leisurely pace is often the best. The imagination can be a balky faculty; it doesn’t really like to be hurried.

Look around you at other people – in the store, at the library, on the bus, at the civic meeting. What are they saying? How are they acting – or reacting?

Listen to sounds – music, bird songs, thunder, traffic, cacophony. How do the sounds affect you? How do they affect your character(s)?

Take a deep breath — what do you smell? What do the smells bring to mind? How does a smell affect your mood? How do certain smells affect your character(s)?

Your answer is there. Look for it. Expect it. Don’t allow your imagination to rest or get lazy. Keep it stimulated.

Harness the Work Horse

It’s almost like a trick or a deception (only a novelist would understand) that the plot idea came so easily. After all, as I pointed out, there are entire books that list them. But then the real work – the real struggle – begins. Now is when that imagination (the work horse) is harnessed, and trained, and used to the hilt.

NOTE: Here’s another blog from the archives  that also  talks about imagination. Check this out.

Be A Novelist

Be A Novelist

Be A NovelistThe Norma Jean Lutz Classic Collection now has three 3 available titles.

These clean teen reads, while authored in the past, offer timeless story lines that teens love.

 

Be A Novelist

 

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